This site-specific installation tries to destabilize the notion of a world divided into opposites: the natural and the artificial, the inner and the outer, the productive and the contemplative. Borrowing Derrida’s phrase, the title refers to how certain static concepts condition the way we see the world. Here, another notion of the outside, referring to the idea of nature, is confronted: an artificial construction that transforms the space into a social experience, into a political subject that works as a landscape from where to rethink ideas about political ecologies, environmental aesthetics, otherness, and the non human. In this radical spatial intervention, the exhibition space is cancelled, flooded by a post-natural landscape which, built only with waste material, only leaves place for contemplation, reversing its spatiality and meaning.
